Poetry

An Oak Invocation By Onawa Zaltana

Image By Mark Baldwin

Image By Mark Baldwin

To the tree spirits of the West
Where the mighty oak spirits
of the eastern shore of the San Francisco Bay
rest, where the biggest oak forest of California
once kissed the sky and squirrels could walk
from tree to tree for miles without ever
having to touch the ground
all around were stands of trees
the Coast Live Oaks Quercus agrifolia

To the oak spirits of the North
sweet green swaying oak savannas
now survive killer prairie rapid fires
so hot in their rage to strike down
everything breathing in its path
return now, along with our Tatanka
mighty bison relatives that feast
on prairie grass the main fuel of these plains’
fires that eat up so many trees and other species
we all depend on one another to survive

To the oak tree spirits of the East
With an Angel Oak — 1400 years old
Guardian over all saplings that sing
in hopes of being able to survive long
and grow as old, true in their pledge
to become steadfast witnesses to human’s folly
to hold true to their lineage; record the truth
of all those who perish
Like Angel Oak who witnessed the settlers arrive
and cried to know what was about to come

To all tree spirits of the South
the sacred direction of all our ancestors
You oak, are centuries old and dubbed The Big Tree
Coastal Live Oak Quercus virginiana
you sprouted near ancestral lands of mine
ancestors whose memories rest rooted in our mesquite trees
Your home Goose Island protected place of the endangered
snowy whooping cranes, and migratory bird home
you stretch your strong arms in welcome to us all

Rooted to our mother earth’s depths you rest
in the knowledge that as long as she lives, so shall the creation

Arms stretch up towards sky father who speaks to you
Says we must all rise and greet the day after the darkness


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Onawa Zaltana

Onawa Zaltana is a healer with consent, a mediator, a mover, and a shaker — when she’s not just trying to steer clear of the entire mess and meditate in nature. Poet, and word alchemist (writer/editor) only for her highest good and that of others.

The Last of the Keystone Species Exhibit By Kristin Flyntz

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The last Oak
reaches into a tangerine sky
toward a blood red sun
that is just out of reach
in a gesture that looks like prayer
or pleading

It is not God
who has forsaken the Oak
but the children of Eden
lured out of the Garden by fabricated Apples
genetically altered
and polished with wax,
or made with minerals mined at gunpoint

The leaves of her crown are parched and still
like the Wind, who is silent,
bereft of the beckoning of Birds—
the last one having died this week
of a broken heart, no doubt

The last Wolf
shudders and sighs
awake in his dream to his ancestors' songs
and the call of the tundra, moist and wild
the landscape of his belonging old and vast
beyond the confines of this lifetime

Nestled in the trunk of the Oak is an altar
glistening, gold, and sweet
The last of the honey from the last of the Bees—
a final offering they are compelled to make
for each other
for the Oak
and for the last Grizzly Bear
who will make his last supper
of their labor

Behind the Admissions window
a guard eats a sandwich
Looks out at the line that will never form
and then at the clock:
Only four more hours in this god-forsaken place

In her concrete cell,
the last Elephant
rocks from foot to cracked and bleeding foot
as the rusty chain between them grates
Her ancient eyes turn inward
only looking backward now

Gone are Whale and Polar Bear
Gone are Great Barrier Reef and Mountain Lion
Gone, too, are the last few who would mourn
the mythological beings who once roamed the earth
and who some of us once recognized by name

The last Wolf stirs in his sleep
The last Bear licks honey from his paw
The last Elephant continues to rock
The last Oak witnesses it all
The last Oak remembers it all
Who will remember the last Oak?


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Kristin Flyntz

Kristin Flyntz is a writer, editor, and dreamer who lives in northern Connecticut on land that once belonged to the Algonkian peoples, including bands of the Agawam and Tunxis tribes. She is the assistant editor of Dark Matter: Women Witnessing, which publishes writing and visual art in response to an age of massive species loss and environmental collapse. It is a home for dreams, visions, and communications with the nonhuman realm, especially with those for messages about how humans might restore their relationship to the earth.

The Hawk, The Canyon and The Hollow By Katarina Xóchitl Vargas

Image by Michael Gaida

1.

Growing Old in the Spring

After lunch, Mother steps out into the patio,
pulls up her plastic chair, faces it to the hills.
The rabbit she fed earlier returns for more.
Mom wobbles to a stand, notices her slippers
are still on, slides the door open, heads back in.
When she steps out again, ten minutes later,
she brings carrots, wears cheap gardening clogs,
spots a red-tailed hawk circling overhead.
Hide! Mom warns the rabbit. A neighbor hears,
the dogs on the hill bark, rabbit’s brown fur
blends in with California desert, hawk flies on.
I come out just in time to hear Mother sigh.
She offers me a tired smile, proudly points to
her own little patch of desert glowing with gold
acacia blossoms. Exclaims: I water every day,
just like your father did!
Pulling up another plastic
chair, I sit beside her, pour our agua de Jamaica.
The silence between us is as soft as her hand.
It shrinks, like my Mom. It holds the energy
of wintering, despite the flowering hill,
the wet earth, the offerings of fresh carrots—
reminding me that the hawk is still hungry. 

 
2.

The Half That Runs

After the last frost melts, rebozos come off,
coyotes have their pups, and we loosen the desert soil
with song—tilling out terror, rooting out the deer in us
that freezes before death’s speedy headlights. Lithic-like. 

No one can find us in this canyon. I keep soft sage
leaves in my pocket. They say: When afraid, inhale.  

Dad says the shifting slice of the Rio Grande
cut us in half, so we landed on both sides of the Chamizal:
one part was thrown into a basket, and the other runs,
like a halved chicken after the butcher’s chop.

We are the half that runs. Each spring, we follow
the blood stains of those that ran before us.

Mom says a mountain lioness came to inspect
our work one morning: make sure we still knew
how to dance like eagles, listen to the land,
weave baskets from willow leaves, be still.

I don’t know the road off Black Mountain.
But I know where the biggest cacti grow, how to move
like a tumbleweed, light a fire with sticks and stones—
dry grasses from the sunny side of the hill. Patience.

No one can find us in this canyon. Sometimes, though,
I think I see the light moving closer. Don’t freeze,
don’t freeze, don’t freeze. Sage. Deep inhalation. Run!

3.

Filling the Hollow

Apparently, my tree no longer drops fruits. The river has nearly gone dry. Receding waters give rise to a cluster of mushrooms here, a little boulder there: “cysts and fibroids”, the medical voices say. They wish to nonchalantly snip, and slice and discard my womb in under an hour, hollowing me out like their Thanksgiving Day turkey. When I ask about alternatives, they sound the alarm, complete with hand gestures masquerading as flashing, red lights. “It’s the size of an orange!”, they exclaim, wide eyed.

I feel the cattle prod descending on my brown back. But I’ve done my research: the orange will likely shrink, it requires monitoring, not carving. Still, lunchtime is nearing, so they drag me to worship at their altars, bow to their god, line their purses. Suddenly I am a mermaid wriggling in the net of systemic slaughter—a routinely discarded uterus in every siren’s scream. “You are free to decline any treatments”, they say to me. But between white coats I hear: “Bring the big harpoon! This one resists!”

When it happens to you, meet me where the sea tucks in the shore like a salty sheet. Bring your sisters—wrinkly and smooth—past tidepools brimming with filigree foam and pink anemone-mouths opened in songs of protest. Bring your knife-to-womb narratives— from Afghanistan to Zimbabwe. Together, we’ll weave kelp into our long hairs, inhale Yemanja’s pearly breath, grow the barnacle-armor of retold myths before their versions turn to stone. And though fishermen will sling their nets at us hollering: Sorcery! Sirens! Sin! (Complete with hand gestures meant to alarm), we’ll break loose, imbibe the goddess, and outswim the harpoons. Until we change the storyline. Until we restore the natural landscapes. Until we fill the hollow in our world where the Feminine is being cut out.


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Katarina Xóchitl Vargas

Katarina Xóchitl Vargas was raised in Mexico City. She and her family moved to San Diego when she was 13, where she began composing poems to process alienation. A dual citizen of the United States and Mexico, today she lives on the east coast where— prompted by her father’s death—she’s begun to write poetry again and is working on her first chapbook. Her poetry first appeared in Somos en escrito. You may reach her via e-mail: Tonantzin108@yahoo.com

Spring’s Entrance By Noël Bella Merriam

Image by Shrikesh Kumar

Dancing dancing the river is free we move

As one I move dancing embracing sun walking alone

Trusting the dance above and below what is seen

Sun’s appearance earth sleeping fearing the warmth

May be deceptive a visit cut short by more cold

River rustling nutria surfacing birds peering hesitating

Tendrils reaching green slowly reaching up

hiding true movement roots welcoming dark below

Hoping sun will stay dancing our hidden selves hoping

In time with earth and all life hearts beating

dancing above and below softly unexpectedly

Moving in time in time with earth’s rhythm

Ripples a river of ripples dancing up and down

Sun’s ripples of light radiating ever stronger

Flowing inward and outward flowing

As one yet ever alone I dance


Because Of The Past Winter By Noël Bella Merriam

Struggling to stay awake some days

On others small jewels reveal themselves opaque

In the dark cave of existence

Glistening calling low I can’t stop myself

From reaching out for the dark

Glowing hematite burnished silver black jade

Slow shimmers like my breath a sparkle upon arising

Stretch into the future without faltering

Before minutes and memories sink the hours

                        Offer what I can to the goddess this moment

Wishing to exchange stillness and sorrow

                        Molding new meaning with the mud covering my hands


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Noël Bella Merriam

Noël Bella Merriam is a Latinx artist and poet from San Antonio, Texas. Her poetry has appeared in Oye Drum, Pecan Grove Review, Cactus Alley, The Revue, The Children of Nigh, and the San Antonio Poetry Anthology. She was a finalist for the 2021 Saguaro Poetry Prize and her poems explore themes of family, identity, culture, loss, and transformation.

Eve in Her Garden By Kendra Nuttall

Image by anncapictures

Image by anncapictures

There are moments I forget
what it means to be a woman.
I walk forward,
shoulders straight,
eyes ahead,

happy hips swaying
to the music of Mother Earth.

I lose myself
in the paradise of my mind,
like Eve in her garden, before

mankind
forgot how to be kind.

Why do you hate us?
Men wait for the punchline
as we brace for the punch,

guarded by the thorns
we have to show.

I still plant roses and wait
for them to grow.


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Kendra Nuttall

Kendra Nuttall is a copywriter by day and poet by night. Her work has appeared in Spectrum, Sad Girl Review, Capsule Stories, Chiron Review, and What Rough Beast, among other journals and anthologies. She is the author of poetry collections, A Statistical Study of Randomness (Finishing Line Press, 2021) and Our Bones Ache Together (FlowerSong Press, forthcoming) and is a poetry reader for Capsule Stories. She lives in Utah with her husband and poodle. Find her online at kendranuttall.com.

Journey By Mayte Castro

Image by Aaron Cabrera

Image by Aaron Cabrera

Identity appears in the colorful clothing
Of a quinceañera.
Vibrations of my mother tongue.
Remind my tongue to roll its rr’s and
Body language that is unequivocally a limitless rhythm.

Far from inconspicuous
Identity rolls out the many 1-hour waits
of developed film,
Capturing childhood instances where
Food was the central piece.
Surrounded by siblings, cousins, aunts and uncles
and the occasional visit of the grandparents.

The ever present systemic oppressors menacing.
I must push forward and respect Mother’s journey
In leaving her home country
For a future she saw in me.

Whispers and lullabies, in Mother’s tongue,
make an appearance when
A child runs across the playground with open arms.

In this journey,
assimilation and acculturation
make an
appearance
at every turn.
Resisting it seems redundant.

Yet the hold of Mother’s hand is far stronger.
Its potency varies
Caressing my cheeks as she
smooths out spanglish words
that
have slipped in.


Battle Cries By Mayte Castro

Recall the backbone in the quilt
Of the fifty stars.
Valor and resilience
Black Lives
Intertwined in the development of
The Empire.

Attention!
Countless agonies
Imposed by master’s
On Black Lives.
The travesty must resign.

Black lives venerated!
For freedom spreads its wings and soars

When Black lives matter!


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Mayte Castro

Mayte Castro is originally from Southern California (daughter of Mexican parents). She teaches youth and young adults ages 16-21 at an Open Doors program in Martin Luther King County. She writes poetry that focuses on immigration, culture, travel, and self-expression as a road to healing generational traumas. Additional published poetry can be found in Brave Expressions, Poems to Lean On, Under Review, and Azahares.

Triolet for the Return of Spring By Andrena Zawinski

Image by giselaatje

Image by giselaatje

So much to love about it,

the again again again of it,

the breeze on pampas grass seaside.

So much to love about it

the riots of wildflowers, return of green,

the singing birds, the simple daily beat.

So much to love about it,

the again again again of it.

—appears in the author’s micro chapbook
from Origami Poems Project that nominated
it for a Pushcart Prize


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Andrena Zawinski

Andrena Zawinski’s third and recently released full poetry collection is Landings. Her poems have received accolades for free verse, form, lyricism, spirituality, and social concern. She founded and runs the San Francisco Bay Area Women’s Poetry Salon.

A Heroine’s Pledge By Vanessa J. Toves

Image by Free-Photos

Image by Free-Photos

wishing to be autonomous in decisions

by walking freely without a cover

her womanliness exposes significance

breaking conventional roles and power

labeled a sinner or a saint

when she speaks about the emancipation

of women

emerging from a state

of bondage and subjugation

peacefully revolting against the set of rules

a compelling expression of

identity

embodying a strong feminine womanhood

paying homage to heroines in history

among the voyages near and far

there is a path she

can no longer pretend

the immeasurable choice to travel inward

and bring years of suppression to an end


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Vanessa Toves

Vanessa J. Toves resides in Guam with her beloved husband Matthew. She is a covid19 survivor who donated her convalescent plasma at the Guam Naval Hospital in 2020. She is currently working on a love project chapbook. Her published COVID-19 poem, The Social Distancing Era,can be found on The Dewdrop

Poems By Genoa Yáñez-Alaniz

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Woodlawn Lake

... is a cold wet shiver

The yellow scarf I wrap around her neck

             is a beacon It leads to the laughter

she is willing to share

I need her smile

She opens her mouth and

pours that perforated beat from her heart

into my hands

 Flecks of light escape her nature beyond

            the old shell of winter

from deep within the thick wet yawn

of the season

She laughs at the duck

            the tuft of feathers on its head

says she is sure that the woman at La Barranca

dons the same style

And for these moments I abandon my losses

We press together faces for a selfie

            mine streak stained from tears against

her greens washed with urban waves and we smile

for the people who might see us on Facebook

I could say the smile is just another lie;

but it isn’t

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Of universe     of spirit

Mom breathes softly her breastbone wired locked heart a bruise

The monitors hum as they measure her life in beats in strums

Gentle drums tell the nurse to monitor her blood-beat the pressure

each shallow breath each gasp

Mom holds a pillow to her chest as she dreams

wakes often confused eyes dart after me i haven’t moved

The drip drip of the iv has me hypnotized Steady peaks on the monitor say she is alive    she dreams she is in an open field

I think of dad with that woman who met him in the meadow

motioned for him to move through when he died

when he coded

          when his chest lay open she was beautiful he said

like dark ancient earth dressed in faded antebellum hues her voice a songbird

deep rhythm of blues angels that landed on his shoulders

wings a gentle flutter to keep him in flight to return to the surgeons

That woman timeless aged clay her face tracked as dry river beds

hands pressed against her chest

She is with my mother now    she sings that song

of universe     of spirit           my mother rises

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Genoa Yáñez-Alaniz

Genoa Yáñez-Alaniz is a community organizer who teaches ESL and digital literacy to homebound refugee women. She promotes cultural integration and preservation through urban farming where sixty families from around the world grow fruits, vegetables, and herbs from their countries of origin; providing access to healthy organic ingredients for cultural and traditional meals. Gen is a strong supporter of the arts and is currently co-organizing a city wide poetry event for World Refugee Day 2021 in San Antonio,TX with the support of many talented area artists. Her poetry has been published in The Journal of Latina Critical Feminism, Cutthroat: Puro Chicanx Writers of the 21st Century, and named a finalist for the Kallisto Gaia Press Julia Darling Memorial Poetry Prize. She has a forthcoming publication in an anthology titled "I sing: The Body".

The Etymology of Desire By Meg Withers

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The Etymology of Desire 

Debauch

[Origin: 1585–95; < F débaucher to entice away from,

OF to disperse, deriv. of bauc, bauch; hence, to hew (beams)]

balcony of dreams i destroy your beam     hew to your presumable

well    resistance is futile my love   why   not split  for me your duty womenn to have sovereynetee     would you scatter desbauchier   rough-hew  me   to your will     i cannot be had at any price    only separate me    with our sweet playe of  nyght  see  balk

~

Derriere 

[Origin: 1765–75; F (prep., n.); OF deriere VL *dé retrō, for L

retrō towards the rear, backwards; cf. arrear] from Fr. derrière

"back part, rear," originally an adv., "behind," from L.L. deretro,

from L. de "from" + retro "back."

round plush peach strokes    my soft anticipate      thou shalt…  blush threaded     thumbs  objects  slip     inside the supine

ooooh     conducted  baton    magic wand      crossed palms   beg     

bounce up     then  flower      down   hardens    widely rumpthrust     

aaaaaaah  …not bothe be maister of my body… my swell  take this   and    this     your narrow hallway   thrall     I   conquer   bits       terrain    inch   by   glisten   inch       I  cleft his soft passage     loving only  rosy    leaving   tips    tiny  swollen marks      see enter

~

Frottage

Origin: F, equiv. to frott(er) to rub (of uncert. orig.) + -age     

technique in visual arts obtaining textural images rubbing lead,

chalk, charcoal, flesh  laid on relief-like.   

unvoiced    artwork    apes    texture      practice   practice     lower

rub a dub dub   my sweet  little nub/in   lubricious     arc

perfect  ground  fricatives   always  thumbs     empty-handedness  we moan   acquiesce    my drumhead   esp.   fine    one whom one

does not   know   a tram    a subway    fétiche   bum  bum    bum    

relief    relieve   relevé  as in     a crowd   a rising     full point  from flaccid   Function: noun    fraught   when not   active verbal.  compare  function

 

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Meg Withers

Meg Withers has been writing to save her sanity since she was about nine. Published in literary journals and other creative projects, she has been anthologized, and has three published books: Must Be Present to Win (Ghost Road, 2005), A Communion of Saints (TinFish Press, 2008). Shadowed: Unheard Voices (The Press at Fresno State, 2014). She has a book forthcoming in spring 2020. Its title is, Particular Odyssey: In Search. Mantra; All the voices belong in the room.

HerStry: A Rhythm Ignored and Explored By N.Y. HAYNES

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HerStry: A Rhythm Ignored and Explored

                                                                                   

Throughout ages of oppression

and retrogression

as women we were quantum

underlings of Article One…

 

Made Goddesses on written pages,

without rights in the community

sexually—emotionally—legally;

high-class courtesans and housekeeping wives

with no real say about our lives…

 

Then came the Roman Empire

that brought rights and freedoms;

but declined did this

with the Dark Ages

Wherein we were considered subhuman…

 

In the Renaissance with its love energy,

there was increased economic activity.

Conversely, for the next two hundred years

     not only were we tortured—maimed—raped,

     but killed and burned at the stake;

simply and straightforwardly for said sorcery…

 

We move to the Reason Age

     and became ornaments of the mantel.

When religion and Victorianism

said our desire for sex was outright pathological;

we were once again saved by capitalism,

but lead on the journey of the deemed necessary hysterectomies…

 

The Age of Industry gave us amazing opportunities

to own our companies,

some at the cost of our families.

Yet, we can celebrate our diversity

in keeping food bread on our tables;

then at night

cascaded in our dignity—rights—sexuality …

 

In this Age of Information our portals

of sisterhood—womanhood—motherhood

are challenged equally across our seas;

still

from the South to the North Pole

we can be lesbians and transgender openly…

 

To live our endowed collective beauty in strength

by wisdom—bloody and brassy—yet bold.

Fully feminine and free—a herstry

in our undulating births

throughout adversity

and deep-seated dichotomies

…both vital in our lives

—as rain is, to a thirsty soul.

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N.Y. HAYNES

N.Y. HAYNES holds a Masters in Physiology, with a concentration in cardiovascular disease. She is an emerging writer, a poet and playwright, as well as an avid athlete currently residing in New York.

Vera and John by Peggy Morrison

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1. Meeting Vera and John

The first day, I drove up and my

housemate asked from the front porch

if I brought any toilet paper

and all of a sudden Vera was in her front yard

reaching towards us with a roll in hand

You can have this

They've lived in the white house next door

since they married in '55.

They're Portuguese. Catholic.

He's a big man with a crewcut

goes to mass every Sunday; she doesn't.

She tells me there were huge trees all up

this street but they had to be cut down long time ago

She doesn't like the people from the apartments

parking in front of her place, so she

leaves her trash cans in the street.

They've called the cops back and forth.

In autumn she brings me

a piece of apple pie.

John is the baker, rolls his own dough.

In winter, a bowl of lemons.

In July, birthday cake she made,

his 90th.

He has fallen a few times.

One time last summer it was in the front yard and

I asked the construction guys across the street

to help pick him up.

He had been leaning on the mower cutting the lawn

but he tripped and down he went onto the grass

with the mower tipping and following in slow motion

on top of him.

2. John's Illness

 He's in and out of doctor's appointments and

the hospital with pains and problems,

the medications don't change anything.

Friday afternoon about two weeks ago

he can't feel his hands and legs and they decide

to call the ambulance.

The ambulance drivers can't take him

to Alta Bates because of covid.

At Alameda Hospital Emergency

they find out he has pneumonia,

so they put him in isolation.

In the past, every time he went somewhere

Vera stayed at their daughter's house,

but now she decided to stay home

alone for the first night in 65 years.

and she did okay.

I have to be able to do this.

We sit in the driveway ten feet apart and

shuck a whole tub

of fava beans she harvested this morning.

She boils them for about 15 minutes,

then layers them in a dish with garlic,

olive oil, apple cider vinegar, salt and pepper,

lets them sit for a couple hours.

She'll eat that all day, till it's gone.

 
3. Hospice

The test results come back on Sunday.

He's negative so he's out of isolation,

but they'll keep him until the lungs clear.

When he's released on Tuesday, she

picks him up in their black Cadillac.

She pulls up next to the path,

gets the walker out of the trunk and

places it for him. He reaches out and she

guides his hand onto the metal tube.

He gets one foot onto the ground and she bends in

and pushes his other foot past the edge of the car door.

He lurches forward and he's

leaning on the walker. Arms tense,

he moves step by painful step

across the grass and walkway

then up into the shadowed house.

Exhausted and visibly thinner, she

waits for the visiting nurse to come

to get him bathed and check the medications.

His legs are bruised and blown up like balloons. 

On Friday John says

he doesn't want to go on like this.

He can't eat, can't get up from the chair.

He wants to die.

He's ready to go. That's it.

Saturday, the hospice nurses

come to set everything up.

Vera puts the orange roses I brought

on the mantel where he can see them.

4. His Choice

 When the nurses are gone

and the conference call with the kids is done

he says what he wants to say.

He wants her to plant the seedlings he started;

she's been watering them for the couple of weeks

he's been unable to get up.

He says

I love you

Don't worry about anything that's happened.

I forgive you

I don't hold anything against you,

no argument we've had that we can't

even remember right now,

it doesn't matter.

They forgive each other.

I love you.

He said it to me and I said it to him the same.

He fell asleep and she stayed next to him in the chair

watching TV and holding his hand.

She must have dozed off until she was startled awake

by an awful choking sound.

She knew he was gone.

Weeping, she washed his peaceful face.

5. Flowers and Seeds

 She’s outside washing her car right now so it'll

be clean to drive to the cemetery on Friday.

Tomorrow she’s going to iron her black clothes,

parsing out her mourning in the quiet house.

It won't be the way he wanted it

He wanted to have his three days,

first the family, then the rosary,

then the mass and the burial.

But it can't be that way.  

Ten is the most you can have at a funeral;

there will be eight counting the priest.

She ordered the yellow roses;

that he likes

and lilies,

because he told her lilies, too.

She'll plant the seedlings.

I can help her harvest the rest of the fava beans when she's ready,

maybe tomorrow, maybe the next day.

And then there's the plot of beans he raises for seed.

And I say, you'll have to harvest it to get the seeds for next year

and she says I know

life goes on

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Peggy Morrison

Peggy Morrison is a California poet who lives and works in the San Francisco Bay Area. She has read poetry in English and Spanish in the US, Mexico and Cuba, and published in journals and anthologies including Plants and Poetry, Colossus: Home, Narrative Paths Journal, Cloud Woman Quarterly, riverbabble, Poecology, Let the World Wonder, Naked Bulb Anthology, Day Without Art. She has published one book of poetry: Mom Says (2020, https://www.amazon.com/dp/1657735192). Peggy is a mom who loves reading, teaching, gardening, music, and backpacking. And she is a bilingual teacher committed to working for social justice.

Poems by Lou Ella Hickman

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every creature has its own wildness

                        every creature has its own wildness

                        secret even the sun pales

                        in the summer’s restless heat of evening

                        each has its own season

                        within time’s breathing space

                        and each season’s reflecting sky

                        which turns on the axis of silence

                        each has its own fragile perfection

                        as every wildness sings its own sweet mystery

                        within the web of infinity

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                                  leaves fall     simply

                                    trees grieve  gold    red   yellow

                                    in the letting go

 

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Lou Ella Hickman

Sister Lou Ella is a former teacher and librarian. Her poems have appeared in numerous magazines such as America, First Things, Emmanuel, Third Wednesday, and new verse news as well as in four anthologies: The Night’s Magician: Poems about the Moon, edited by Philip Kolin and Sue Brannan Walker, Down to the Dark River edited by Philip Kolin, Secrets edited by Sue Brannan Walker and After Shocks: The Poetry of Recovery for Life-Shattering Events edited by Tom Lombardo.  She was nominated for the Pushcart Prize in 2017 and in 2020. Her first book of poetry entitled she: robed and wordless was published in 2015. (Press 53.)

Elemental Provenance By Danielle Fuller

neither star nor nobility

neither adversary or confidante

rather the headwaters’ baby

left footprints in lava

that resiient runt

dumped at the trunk of manchineel

born of blood and instinct

pink parachutes of cashmere

indomitable and likkle bit

owns mantle of thistle

lifts and lowers

this hallowed espionage

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Danielle Fuller is a farmer who lives in Northern California. She is an enthusiast of astrology, divination, DIY, yoga, and body modification.

Three Poems By Lou Ella Hickman

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it was as if winter

beak, dry

with its pale sky

and its silence

was here

but it is summer

with its heat

marking everything with its name

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spring: a fairy tale

once upon a time

the time it was

last year

and each year

before that

the sky

fell

as predicted

its luscious blue caught

in branches

where

blooming white clouds

had gathered

however

this year. . .

a forever is a fearful maybe

has been predicted

the almost blue sky falls again

into

brittle

white

trees

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water of life

in honor of those who were at standing rock

out of baptism of desire of fire by fire

we gather

the only weapons our words our bodies

chanting

enough!

no more!

we, the First Peoples

our presence says

not here not now not ever

we stand in the memory

of slaughter, of treaties broken like glass

of tears, our children stolen like our land

our past a river flowing to this sacred time

we say again

we stand

enough

no more

Sister Lou Ella is a certified spiritual director whose poems and articles have appeared in numerous magazines and journals as well as three anthologies. She was nominated for the Pushcart Prize in 2017. Her first book of poetry entitled she: robed and wordless was published in 2015. (Press 53)


Night Train at Luster Gap By Jolaoso Pretty Thunder

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Night Train at Luster Gap

Where I waited for you
Having taken the last train into Cheyenne Wyoming
I’m in my half-priced red dress 1:45 am In a cheap motel
I am perfectly groomed Silk stockings A garter belt
Eyebrows, lips, hair so detailed
Between my legs I am washing with orange blossom water and vanilla
I am the perfect lover
Bucket of ice on the nightstand
Laying still on this bed Legs smooth from my bic razor
I love hate my need for you
And hope your wife will just go away
Absurd in the dark I rearrange the way my hair falls on the pillow
Like the dead really And my hands are like ice
A wreck and too proud to admit the fool I am
Having used every last penny I had
On this ticket, bottle of wine, oil that you will smell and think me magic
Irresistible, see how easily I make you laugh
I know you and what you want
Snakes are in my belly And I know it
My cuticles bleed where I cannot stop picking at them
I am a fraud and have no intention of 
Allowing you to see this
Perfect I lay on these dirty sheets In this cheap motel
Getting up 25, 200, 250 times to peep out the window
Pour more orange blossom between my legs Apply more lipstick
Dawn — You never come
Circles under my eyes, ridiculous, mouth so dry
preposterous with red lipstick
I smell sour I am alone With a stupid bucket of water by the bed
Found a corner of the room to call my own and fuck myself
To the sound of the infomercial 
I did too much
I do too much
I can never make this right



Jolaoso Pretty Thunder is a common earth-woman. She lives in the deep woods of Northern California with her family and two dogs Rosie Farstar and Ilumina Holy Dog. She is a farmer, practitioner and student of herbal medicine. She is also an ordained minister of the First Nations Church and the founder of The Cloud Women's Dream Society, as well as a contributor and publisher of Cloud Women's Quarterly Journal. She is a well-traveled poet who loves rock, porch swings, pickup trucks, cooking, campfires, lightning, steak, long drives, hot cups of coffee, gathering and making medicine and singing with friends and family.

Seasons By Lou Ella Hickman

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seasons

move 

                more than time

             beginning

             the sky’s air

                        falls into branches 

                                blossom  blue

                 the earth

                        gives back 

                        its fire 

                        into the wind

                        with gold

                        and green

                        its flame

                        turns

                        to white 

                        waiting 

                        for the voice 

                        of tenderness

                        to call


Sister Lou Ella’s poems have appeared in numerous magazines and journals as well as three anthologies. She was nominated for the Pushcart Prize in 2017.  Her first book of poetry entitled she: robed and wordless was published in 2015. (Press 53)

Dominatrix Rattler By Hokis Zir

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DOMINATRIX RATTLER


I listen from the mountaintop

Where ancestors teach; covert, slithering whispers,

“This, my winged-daughter, is an exceptional way to fly.”

I catch my Earthly prey’s vibration

With my seem-to-them shuddering

Dominatrix tail.

I whip them and skin them

From toes to sky.

Pausing at the foothills of

Their jugular

Pulsing with rancid nourishment to

The crown of their peak.

The subtle, painless slit

Made under the jaw.

Stiletto holds it steady.

Razor red nails reach inside.

Carving space,

Between dermis and meat.

Gristle meets soulhands,

Snapped with a sudden twist.

No vessel is too sized,

For the unhinged jaw of this mind.


Wearing no specific identity on any sleeve, Hokis channels zir trauma-inoculated mistrust in humanity and love for puzzles into unfolding poems. Zir has worked as a community organizer, high school teacher, and mindfulness coach.  Zir is currently on sabbatical, exploring creative ventures, with recent work found in Tiny Seed Literary Journal, The Valiant: Heroes United, and Caustic Frolic.

El Regalo / The Gift By Zheyla Henrickson

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Zheyla Henriksen, is an Ecuadorian, poet, researcher, artist, and retired teacher currently residing in the United States. She has taught at multiple universities, which include The University of California at Davis, where she received her PHD in Latin American and Spanish. She is a member of the group, Writers of the New Sun, Círculo de Poetas y Escritores.  Participated in the first Encounter of the Feminist Poets in Esmeraldas, Ecuador. She has participated in numerous poetry recitals in Ecuador, the United States, Spain, Panama, Argentina, Mexico, Cuba and Canada. She has published four poetry books, Poemas dispersos, Caleidoscopio, Pedazos del recuerdo and Confesiones de un cuerpo. Also as a researcher, she published a book called El tiempo profano y el tiempo sagrado en Borges y Cortázar (doctoral dissertation) in 1992.